Christian images have a long history within the Western art tradition from the narrative and devotional works of the Medieval and Renaissance periods, to the radical new interpretations of the twenty-first century. This fascinating new book explores the changing nature of the representation ofkey themes and subjects found in Christian art, covering the Eucharist, the crucifixion, the Virgin Mary, and the saints. Other sections deal with the changes to Christian art after the sixteenth-century Reformation, and with Christian art in the modern world.Within these themes, the book explores the work of major artists such as Memling, Holbein, El Greco and Rossetti, and well-known examples including the frescoes of St Francis at Assisi. Didactic and consciously devotional works are discussed alongside the controversial work of contemporary artistssuch as Andres Serrano and Chris Ofili.
The magnificence of this cultures palaces, churches, paintings, enamels, ceramics, and mosaics are fully represented in the book, inviting the reader on a great journey through the ages. The extraordinary power of this tradition guaranteed its survival long after the dissolution of the empire that gave it life, and the art left behind by this civilisation never stops beckoning to us.
Byzantium: spanning eleven centuries and a major portion of the Old World’s landscape, its name stands for power and affluence. In this program, noted journalist Paul Solman discusses a magnificent display of Byzantine art garnered from 117 collections with Harvard professor and art expert Ioli Kalavrezou. Paintings, mosaics, carvings, and ceramics facilitate an exploration of Byzantine iconography as it evolved from Hellenistic and Roman themes to abstractions that go beyond classical representation. (12 minutes)
Forbidden by Islamic law to represent the human form, Moslem art burst forth in the characteristic decorative style we know as arabesque. This program discusses the architecture and sculpture of mosques and Koranic schools, the illumination and calligraphy of sacred texts, music, the art of the garden, and the influence of the abstract arabesque on Western art. (32 minutes)
In this program, art critic Waldemar Januszczak travels through the heart of the Middle East and beyond to study a wide range of Islamic architecture, decoration, and art objects. Providing helpful historical background on the faith—with an eye on the explosive spread of early Islamic culture—the program examines the pristine beauty of India’s Taj Mahal as well as one of the world’s oldest surviving mosques, and what may be its most spectacular: the Great Mosque in the Syrian capital of Damascus. Dispelling the myth that Islam forbids all pictorial images, Januszczak analyzes mosaics commissioned by Umayyad caliphs Al-Walid I and II—including one uninhabited cityscape that seems to depict heavenly paradise. (60 minutes)
Continuing his trek across the Muslim world, art scholar Waldemar Januszczak introduces viewers to masterworks in Africa, the Middle East, and Central Asia—from the gigantic and surreal mud mosques of Mali; to a rare, 10th-century Egyptian ewer carved out of a single piece of rock crystal; to the inspired urban planning of the ancient city of Isfahan in Iran; to the stunning architecture of Uzbekistan’s Samarakand. Januszczak shares his knowledge of the Sunni-Shiite schism and its artistic implications, the Fatimid influence evident in Cairo’s Al-Azhar mosque, and the vast debt which Gothic architecture owes to the arches and filigrees of medieval Islamic building design. (45 minutes)