This program provides an introduction to medieval Europe by showing surviving traces to provide a feel of medieval style and practice and by tracing the roots of the fall of civilization and the onset of darkness. Much that is medieval survives, sometimes in unlikely places: in a feudal community in sub-Saharan Africa, where an absolute ruler holds court surrounded by ministers, courtiers, and hangers-on, with paladins in mail and mercenaries who, according to local tradition, are descendants of the crusaders; and in numerous folk festivals held in modern Italy, which reenact the futile battles against the invading nomadic hordes. The program traces the fall of Rome and the development of fortified monasteries and their gradual transformation into centers of prayer, work, and the study of ancient learning. With the acceptance of eastern peoples into the Church of Rome, Europe achieved its frontiers. (43 minutes)
After nearly eight centuries and much research and writing on Marie de France, the only biographical information we know about her, with any degree of certainty, is that she was from France and wrote for the Anglo-Angevin court of Henry II. Yet Marie de France remains today one of the most prominent literary voices of the end of the twelfth century and was the first woman of letters to write in French. The chapters in this book are composed by scholars who have specialized in Marie de France studies, in most cases for many years. Offering traditional views alongside new critical perspectives, the authors discuss many different aspects of her poetics.
The twelve "lays" of Marie de France, the earliest known French woman poet, are here presented in sprightly English verse by poet and translator David R. Slavitt. Traditional Breton folktales were the raw material for Marie de France's series of lively but profound considerations of love, life, death, fidelity and betrayal, and luck and fate. They offer acute observations about the choices that women make, startling in the late twelfth century and challenging even today. Combining a woman's wisdom with an impressive technical bravura, the lays are a minor treasure of European culture.
One of the most influential storytellers in Western literature, French poet Chrétien de Troyes helped to shape the ever-fascinating legend of King Arthur and the Round Table. Of Chrétien's five surviving romantic Arthurian poems, the last and longest is Perceval, an unfinished work that introduces the story of the Grail--a legend quickly adopted by other medieval writers and taken up by a continuing succession of authors. In Chrétien's romance, Perceval progresses from a naive boyhood in rural seclusion to a position of high respect as a knight at Arthur's court. With the help of two teachers--his mother and Gornemant of Goort--Perceval is ultimately able to reject the worldly adventures chosen by other knights and seek important moral and spiritual answers. Acclaimed for his sensitive and faithful translations of the poems of Chrétien, Burton Raffel completes the Arthurian series with this rendition of Perceval. Raffel conveys to the modern English language reader all the delights of Chrétien's inventive storytelling, perceptive characterizations and vividly evoked emotions.
French writer Chretien de Troyes added the Grail to the legend, telling how Sir Percival, staying at a beautiful castle, saw a vision of the Grail, setting off the quest. The grail came to be interpreted as the Grail, used by Christ at the last supper. [Segment from "Arthur: The Once and Future King"]
This documentary explores the work of Dante Alighieri including his cultural and religious influences of the time period, his innovations in the world of literature, and how he impacted other artists, sculptors and writers. Martin Hossick reveals how the author of “The Divine Comedy” established individualism and morality for every man in a period when only rulers and religious figures mattered.
Two of Italy’s greatest artists are eternally linked, one genius having paid homage to another. Two hundred years after Dante Alighieri wrote The Divine Comedy, Sandro Botticelli illustrated the classic with a series of exquisite drawings crafted at the height of his career. In this program, translator Mark Musa, art historians, clergy, and other experts guide viewers through Botticelli’s exquisite portrayal of Dante’s Inferno, Purgatorio, and Paradiso, images that have had a lasting impact on the collective imagination of Western civilization. This program surveys Dante’s epic and the 92 surviving illustrations to provide an unparalleled tour of two masterpieces of literature and art. (60 minutes)
This ambitious program, produced by the award-winning film director Peter Greenaway and internationally known artist Tom Phillips, brings to life the first eight cantos of Dante’s Inferno. Featuring a cast that includes Sir John Gielgud as Virgil, the cantos are not conventionally dramatized. Instead, the feeling of Dante’s poem is conveyed through juxtaposed imagery that conjures up a contemporary vision of hell, and its meaning is deciphered in visual sidebars by eminent scholars who interpret Dante’s metaphors and symbolism. Contains nudity. (8 segments, 11 minutes each)