This classic play is aimed at the student, teacher, lecturer and theater lover alike. Staged using professional actors and directors at London's award-winning Greenwich Theatre, “The Tragical History of the Life and Death of Doctor Faustus” was first published in 1604 by Christopher Marlowe. Closed Captioning aids in reading along and understanding the language of the play.
David Schalkwyk offers a sustained reading of Shakespeare's sonnets in relation to his plays. He argues that the language of the sonnets is primarily performative rather than descriptive, and bases this distinction on the philosophy of Ludwig Wittgenstein and J. L. Austin. Schalkwyk addresses such issues as embodiment and silencing, interiority and theatricality, inequalities of power, status, gender and desire, both in the published poems and on the stage and in the context of the early modern period.
Helen Vendler, widely regarded as our most accomplished interpreter of poetry, here serves as an incomparable guide to some of the best-loved poems in the English language. In detailed commentaries on Shakespeare's 154 sonnets, Vendler reveals previously unperceived imaginative and stylistic features of the poems, pointing out not only new levels of import in particular lines, but also the ways in which the four parts of each sonnet work together to enact emotion and create dynamic effect.
The article presents an examination into the 1656 essay "A True Relation of my Birth, Breeding and Life," by the English aristocrat Margaret Cavendish, discussing its features as an autobiographical relazione or "relation," a literary genre used in previous centuries to describe personal accounts. Details are given discussing the context of the work, particularly noting its publication in response to social rumors against her public persona. It is then asserted that through the rhetorical features of this genre, Cavendish chose a literary response to the controversies circulating about her.
A literary analysis of the book "The Blazing World" by Margaret Cavendish, is presented. It discusses how the book encompasses a vast number of popular literary genres including travel writing, utopia, epic, and satire, focusing particularly on its intersection between fiction and philosophy as well as its use of the scientific knowledge of the 17th century.